I tend to agree with the comments from Mainah.
Jensen, Boss, Pyle, and to a degree some, not all, of the Sony amplifiers are disposable (cheaper to replace than to repair). If you are buying those products you take your chances knowing that getting long term service is a real roll of the dice, that the lower cost might warrant the risk, and that sonic performance is known to be poor out of the gate. I can't argue with anyone's budget or buying priorities. However, I do have decades of experience with hundreds of samples rather than 3 or 4 samples and the those statistical fluctuations, and that I can dispute.
Just because an amplifier continues to work doesn't mean that it hasn't suffered from sonic degradation, such as corrosion build-up or extreme heat damage.
Some cheaper marine amplifiers are no more than a white chassis and have no real additional protection. In contrast, you have JL Audio which has a sealed chassis, a sealed lid over the pots/switches/controls, conformal coating, special/extra filtering related to common marine/boat noise sources (namely switching transients).
It's true that many use automotive amplifiers in fresh water with good results. That becomes a calculated risk which you can reconcile against the cost. NO WAY is this acceptable in coastal or highly brackish areas.
If an amplifier has an open or vented chassis, or is fan-cooled, or has exposed pots & switches, I do not consider it a marine amplifier despite any label to the contrary. As the big off-shore OEM supplier, JL Audio changed their products based on their long term experiences, and Wetsounds has also followed suit more recently. The size of the sample matters.